Film Production In the period previous to the 1930s, the predominant form of filmmaking was that of the crank camera. This is not to say that motor-driven cameras were not possible. However, the motors to kindle the film were so large that they were simply too awkward to be effective. Thus, it was the cameraman himself who would crank the film at a steady rate to expose the frames.
When it came to showing the film, on the other hand, motor driven projectors were quite conveni ent, and by the 1920s a stock(a) 24 frames per second was established for projecting films. Filming, however, remained unstandardized due to the immanent sportswoman in recording speeds, since it depended directly on the cameraman. An experient cameraman was receptive of filming an entire film at approximate...If you want to seize a full essay, order it on our website: OrderCustomPaper.com
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